Seok-hoon, an unemployed man preparing to become a film director, is visited by his ex-girlfriend Su-jin. He asks for her feedback on the script he wrote. 　　The scenario is about the real-life love story of Seok-hoon and Su-jin. Seok-hoon does not want this story to go out into the world.

THE MAN roams through the mountains, rivers, and seas in search of THE ONE, whom he believes to be a messiah.

《无国界的律师们》再次构建观众喜爱的国际化谈话互动交流平台，将类似于“非首脑会谈”的多国青年的思想碰撞空间聚焦在法律案件的分析讨论上，邀请各国辩护律师同频共振，分析韩国法律与他国法律的不同之处，用国际视角解读全球热点案件，诠释世界不同国家对“法律”的理解。 　　节目采用演播室对谈形式进行，张咸俊、张东明、李贤一担任节目主持人。每期节目邀请4位他国法律界青年律师，与多位社会各界代表组成的一日事务长官团来到节目中，针对同一案件在韩国和在他国判决的异同展开讨论分析，以此实现大众对法律的进一步深刻了解。首期节目，针对上诉和遗产纷争问题，“无国界辩护师们”从韩国往年最热门案件开始，展开全面的话题讨论。

Junyeong works part-time at a pub while also making a documentary about laid-off workers. She is losing her confidence, wondering if she is making a film that no one will see, let alone change the world. The simple, unadorned plot amplifies its relatability in this film about film.

Director 　　Choi Jong-hak 　　Stars 　　Choi Dae-chulJeon No-minJung Yoon-seo

여러 직원들 사이, 유난히 바쁜 공무원 김하진 씨. 탑처럼 쌓인 우편들과 끊임없는 민원들 모두 혼자서 감당하기 버거운 양이지만 동료, 상사할 것 없이 당연하듯 그녀를 방관하고 있다. 특별히 잘못한 것도 실수한 것도 없지만 계속되는 구박과 비판들, 심지어 협박까지. 하진은 점차 왠지 모를 불안함에 잠식이 되어간다. 2019년 7월 18일, 울국 시청 공무원 김하진 씨의 이야기.

曾是一位植物学家的东浩，曾被他在白头山见到的野花美景所深深打动。即使退休之后，他依然投身于传播野花的事业，四处投掷“种子炸弹”。为了复育一种濒临灭绝的高山植物，他亲手建起温室，十年来一直细心照料着这些野花。 　　某天，一件意外打破了他的日常：邻家小女孩春美被他偷偷养的蜜蜂蜇伤了。春美的妈妈带着警察和119救援队登门要清除蜜蜂，然而东浩却坚称自己没有养蜂，反而激动地表示，如果蜜蜂灭绝，人类也将随之灭绝。 　　就在大家以为“蜜蜂骚动”就此平息时，春美又主动登门拜访。原来她为体验学习养蚕，但桑叶用尽，只能来向东浩求助。东浩发现春美并不怕蜜蜂，对她渐渐生出亲切之感。他帮她寻找桑叶，还在温室里一起制作种子炸弹，两人逐渐建立起一段温暖的友谊。 　　然而，就在关系日渐亲近时，春美却突然消失，只留下一个养蚕工具箱。东浩等了好几天，终于从春美的老师——努里那里得知了她的身世：春美和妈妈秀妍正是为了逃避父亲的家暴才搬来此地。如今因为父亲的穷追不舍，她们又被迫躲到一家汗蒸房里。 　　东浩去找秀妍，希望她能报警并让春美重返校园。但秀妍表示自己还有未了的事，请求东浩帮忙暂时照顾春美。了解了母女的故事之后，东浩开始思考，什么才是最明智的选择。就在这时，春美透露了一个新的计划，让东浩做出了一个重大的决定。

Juwon, who played baseball during his school days, unexpectedly reunites with Hyeyun, his first love from long ago. She asks for his help with a baseball course exam, wanting to learn how to throw a ball far. But when Hyeyun suddenly proposes a bet, Juwon's feelings become complicated...

This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.